SACRED SYMBOLS AND THEIR MEANINGS
May all who enter rest in peace and safety beneath my wings. May all who leave, take with them wings of comfort. My heart is at peace with you all. (Tsimshian Prayer) “They say we have been here for 60,000 years, but it is much longer. We have been here since the time before time begin. We have come directly out of the Dreamtime of the Creative Ancestors. We have lived and kept the earth as it was on the First Day.” “The following sacred symbols have sustained Turtle Island’s Indigenous for thousands of years. They offer health and healing and when used correctly and in the spirit of the Old Ones, knowledge, healing and emotional wellness can be profound. For this is the way of it….all my relations.” (Thunderbird) |
DRUM KNOWLEDGE HAS ITS OWN PAGE |
MEDICINE WHEEL HAS ITS OWN PAGE |
PARFLECHE
From left: Shoshone, Cheyenne, Crow Rawhide bag. The word is not Indigenous, but French as it first was introduced during the Fur Trade years. Interestingly, it is derived from the French, ‘para’ meaning “to defend” and ‘flech’ meaning to “deflect arrows.” When combined, Parfleche describes the bag as something that could have been used as a shield because of the stiffness of its construction. The original bags were rather crudely made from buffalo hide that had been soaked in wood-ash lye that removed all hair and other properties. Like all Indigenous artifacts, although practical, there was no reason they should not be beautiful as well. The bags were painted with symbols belonging to the owner or of individual tribal significance. It was used mainly by the Plains Native people as a means of transporting a variety of items that included: dried plants, clothing, herbs, tools, pemmican. There were even ‘box’ versions that could hold larger items. They became family heirlooms and were passed down for generations, turning them from practical to sacred to art. |
SACRED PIPE
There are different kinds of pipes and different uses for them. There are personal pipes, family pipes as well as pipes for large ceremonies. NOTE: There really is no such thing as a Peace Pipe. When the U.S. government sent representatives to negotiate for the land, the Native leaders produced their pipes with an understanding that the pipe would allow for peaceful land transactions. No falsehoods were spoken anytime, but particularly in the presence of the pipe. When the pipe was presented to the circle and then smoked, it was a symbol of the “straight truth” that went directly to the Ancestors. If an individual accepted the pipe and smoked it, he was, in fact, saying he believed what he was hearing and that he, in return, would not lie. (Note: It was never the Native people who lied!!) Afterwards, when the Europeans started using tobacco for financial gain, its use became corrupted and great sickness came to the world – the inevitable results when a gift is misunderstood and misused. The great sickness was also contained in several ancient prophecies. Generally Sacred Pipes consist of two parts, a tobacco-holding bowl made of bone, wood, stone, or metal (as in calumet pipes or some of the later trading pipes) and a stem, usually made of wood. The pipes of the Plains were usually made out of soft, red catlinite stone (found in southwestern Minnesota). The pipe, when joined, is a living being with energies coursing up and down its spine. The pipe is a ritual object created to focus and alter the consciousness of the user. It has its reflection in the human body and in the Universe. The pipe is a cosmos unto itself uniting all dualities within Creation. NOTE: Although the pipe represents one of the highest forms of Native spirituality, you do not have to be a pipe carrier to receive the messages from the universe or to live a sacred life. |
HOW DOES AN INDIVIDUAL RECEIVE A PIPE?
A pipe is normally received in three time-honoured ways and this is only after years of learning, walking the walk and talking the talk. (a) From a legitimate Pipe-Carrying Native Elder who is a pipe carrier and who has earned the right to give pipes and who does NOT know you, yet has had at least four profound experiences about you (dreams, visions). (b) From a legitimate Pipe-Carrying Native Elder who does know you and has had at least four profound experiences about you (dreams, visions). c) The pipe was inherited through the family and the current Native owner has “earned” the right to carry and smoke it. There are very serious ceremonies that are undertaken before a pipe is smoked or used in ceremony. It must become the property of the carrier and, therefore, there are rituals involved for that process. In my case, I underwent a four day fast/visionquest, followed by ceremonies that covered thirteen full moons, culminating in another four day fast/visionquest. |
POTTERY
From left: Pueblo, Cherokee, Haudenosaune Hopi Magnificent pottery is another artifact that started out as simply an item to store things. Those tribal communities that were agriculturally-based such as the Haudenosaune, created stunning pottery to hold corn. Pottery and its potters cannot lumped into one category because the creation of the work as as unique as the different tribes famous for it, Southwestern pottery (Pueblo) is perhaps one of the more well known probably because the tribes were sedentary as opposed to nomadic. To this day they have not moved far from their ancestral land, and did not suffer European intrusion quite to the extent of eastern tribes such as the Haudenosaune, for example. Prior to European contact, pottery could be found pretty much all over Turtle Island. Haudenosaune pottery is recognized by its dark patina because it was made from dark clay found in southern Canada, New York State and parts of Wisconsin. Pottery was usually made by women. |
POWER ANIMALS/SPIRIT GUIDES/TOTEMS
A power animal (or Guardian Spirit) is one that has made itself known in dreams or visionquest at least four times, in a significant way. They are also ‘helping allies’ that assist during times of transition, growth, war, healing. Part of a person’s individual medicine bundle should contain something from the natural world that represents the powerful spirit guides. From time to time they should be honoured with a feast and a special ceremony. |
RATTLE OR SHAKER
Shakers imitate rain and tears. Tears of sadness are the parts of the soul that have been lost. Tears of joy are when the four realms of human existence unify (mind, body, emotions, spirit). Shakers are used for: soul retrieval, cleansing and purifying, visionary work. The rattle is asked through its sound for spiritual guidance. Rattles are used to softly and gently call ancestral spirits in case they are travelling and need time to return. The rattle calls softly to those in their long sleep and summons them respectfully for their assistance. The drum is not normally used to summon them, les tthey be awakened with a jolt – they tend to be a bit cranky if you do that. |
SAND PAINTING The Navajo have elevated sand painting to a fabulous spiritual art form. It is a very meticulous process were were originally created only by Spirit Doctors who called upon Yeibicheii (Holy People) to help with the ceremony or healing process. Effortlessly, the sand would flow through his fingers creating upwards of forty paintings for one ceremony. At the end of the ceremony, the paintings would be destroyed. In some respects this was the ‘sand’ version of oral storytelling, as the culture of the Navajo people emerged through this sacred art form. The sand was created with naturally colour sand, crushed gypsum (white), yellow ochre, red sandstone, charcoal, corn meal, flower pollen, powdered roots and bark, and a mixture of any and all of the above to make other colours. Unfortunately there are patriarchal overtones to the process because women on their moontime are prevented from becoming involved, and not allowed participation in any way lest if effect the Spirit Doctor’s ability to do his job. Seems he ought to work on his own inner strength if he has a problem with women. Sigh! |
MORE ABOUT CEREMONIAL PROTOCOL |
TOTEM POLES (PACIFIC NORTHWEST COAST) |
A CORNUCOPIA OF GLORIOUS SYMBOLS